Albert Bierstadt's Oil Paintings
	Albert Bierstadt Museum Jan 8, 1830 - Feb 18, 1902. German-American painter.
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Here are all the paintings of Alexandre Cabanel 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
83510		Aglaida and Boniface	19th century Medium oil on canvas cyf
73511		Albayde	Date 1848(1848) Medium Oil on canvas Dimensions 98 X 80 cm (38.58 X 31.5 in) cyf
96342		Alexandre Cabanel	Oil on Canvas Date 1868 cyf
51812		Eleopatra Trying Out the Poison on Prisoners Sentenced to Death	mk221 1887 Oil on canvas 87.6x148cm
86247		Harmonie	1877(1877) Medium Oil on canvas cyf
10937		La Comtesse de Keller	1873. 3' 3" x 2' 6" ( 99x76 cm ). Gift of Marquis and Marquis de Saint - Yves d'Alveydre, 1889.
73176		Ophelia	Date 1883(1883) Medium Oil on canvas Dimensions 77 X 117.5 cm (30.31 X 46.26 in) cyf
20981		Prince K A Gorchakov (san 05)	1868 (Inv No 5093)Oil on canvas 26 1/2 x 22''(67 x 56 cm)(Ex coll Gorchakov St Petersburg)
297		The Birth of Venus	1863 Musee d\'Orsay, Paris
40730		The Birth of Venus	mk156 c.1863 Oil on canvas 130x225cm
54534		The Birth of Venus	mk235 1863 Oil oncanvas 130x225cm
296		The Death of Francesca da Rimini and Paolo Malatesta	1870 Musee d'Orsay, Paris
51777		The Love of Acis and Galatea	mk221 1827 Oil on canvas 146x113.7cm

Alexandre Cabanel

1823-1889 French Alexandre Cabanel Locations French painter and teacher. His skill in drawing was apparently evident by the age of 11. His father could not afford his training, but in 1839 his departement gave him a grant to go to Paris. This enabled him to register at the Ecole des Beaux-Arts the following October as a pupil of Francois-Edouard Picot. At his first Salon in 1843 he presented Agony in the Garden (Valenciennes, Mus. B.-A.) and won second place in the Prix de Rome competition (after Lon Benouville, also a pupil of Picot) in 1845 with Christ at the Praetorium (Paris, Ecole N. Sup. B.-A.). Both Cabanel and Benouville were able to go to Rome, as there was a vacancy from the previous year. Cabanel Death of Moses (untraced), an academic composition, painted to comply with the regulations of the Ecole de Rome, was exhibited at the Salon of 1852. The pictures he painted for Alfred Bruyas, his chief patron at this time (and, like Cabanel, a native of Montpellier), showed more clearly the direction his art had taken during his stay in Italy. Albayde, Angel of the Evening, Chiarruccia and Velleda (all in Montpellier, Mus. Fabre) were the first of many mysterious or tragic heroines painted by Cabanel and show his taste for the elegiac types and suave finish of the Florentine Mannerists.

All the Albert Bierstadt's Oil Paintings

Supported by oil paintings and picture frames